![pete droge please the ghost on youtube pete droge please the ghost on youtube](https://www.covermesongs.com/wp-content/uploads/2019/10/Electric-Light-Orchestra-500x231.jpg)
![pete droge please the ghost on youtube pete droge please the ghost on youtube](https://petedroge.com/wp-content/uploads/2020/03/skeleton-crew_1920x1080_01.jpg)
finally signed the Berne Convention Implementation Act, all films distributed after 1909 were required to provide a registered copyright. But not for the United States, which refused to take part in the convention for over 100 years, because it required too many significant changes to their moral rights and copyright formalities. It wasn’t until the Berne Convention of 1886 - an international agreement governing copyright that protects literary and artistic works - that a universal copyright procedure was assembled. In their early years, copyrights (indicated by that © you’ve seen in books, music, movies, and other works) varied from country to country. A free, accessible resource for films, books, and music available to the public, the public domain’s been in existence ever since copyright laws were implemented back in the 18th century. To some extent, this is true - by way of making it slightly less so, let’s talk about what, exactly, it is.
![pete droge please the ghost on youtube pete droge please the ghost on youtube](https://www.sxsw.com/wp-content/uploads/2016/05/2007-PeteTownshend-GaryMiller-1440x810.jpg)
At first glance, the public domain appears to be a deep, intimidating vortex of innumerable media.